In this lecture, we began to look at how Kant thought in comparison to Leibniz.
Representation is an example of Kantian thought. He thought in a structured but also provocative way.
Leibniz, however, thought in different degrees of intensity.
Kant believed in a universal structure yet Leibniz thought there was an individual structure.
Kant was almost the father of modernist thinking, yet Leibniz thought in post-modern idea, especially, individualism.
https://en.wikipedia.org/wiki/Immanuel_Kant
http://www.brentmblackwell.com/obsessions/men/Leibniz.html
We then looked at two major collages: the Bauhaus, which I have been introduced to in previous lectures, and the Black Mountain Collage.
https://en.wikipedia.org/wiki/Bauhaus
http://archives.ncdcr.gov/Public/Digital-Collections-and-Publications/Resources-By-Subject/Black-Mountain-College
Bauhaus is purely focused on design and the BMC (Black Mountain Collage) is art based. Bauhaus was a modernist institution and was linked to modernism. Design, which was taught at Bauhaus, was put on the same prestige as artists. The ethos of the Bauhaus was all about function and universal principals of design, which was very much a Kantian way of thinking.
The BMC studied the history of art and had more of a progressive education. This means that it was loose and offered a lot of support. However, unlike the Bauhaus, it did lack structure. It was incredibly liberal and had open working spaces and taught humanities subjects. This structure and ethos drew a lot of students towards it. Artists such as: Rochber, Rockborne, Twombly and Vanderbeen come out of BMC and all the styles are very different from geometric, which comes out of the Bauhaus.
Bauhaus is all about conformity and follows a particular agenda. Although, both are modern collages, Bauhaus is firmly in modernity whereas BMC is leaning more towards post-modernity and has one foot in each.
Josef Albers is significant to both institutions. He was a professor in Bauhaus and then went to BMC as he preferred the ethos and principal of BMC. He did, however, link both institutions together.
Although they seem almost opposites, modernism and post-modernism are not. Johannes Itten said 'the basic cause at the Bauhaus' (the curriculum of Bauhaus) . Preoccupied with nature of physical world and its relationship with colour. However, putting new things together to create new experiences is were a new word could be discovered. This is where they cross over.
Josef Alber was a student of Johannes Itten and was majorly influenced by Itten. Alber and Lazlo Maholy rewrote the curriculum but still have Itten's basic model.
Alber was majorly interested in what colours look like together and liked material processes. He wanted to teach people that colours were relative and believes that variations of colour can be charted. Eg. A red square on a blue background looks different to a red square on a yellow background. Alber believed this was universal, like Kantian thought.
This lecture was incredibly interesting as it explored examples of the difference between modernity and post-modernity. It also widened my understanding of artists and art institutions which were heavily influential on artistic periods.









